after releasing >inside< with nomi ruiz in 2009, germany hot producer rampa, is back on rebirth with another strong vocal track! this time the result of the sinergy with his fellow producer re.you! the virtually indestructible rave banger >work< on rampas label keinemusik established them as club hits machine, followed by productions on labels like cocoon, souvenir, gigolo and a remix for michel cleis worldwide floorfiller >la mezcla< on strictly rhythm plus diverse co-productions with tiefschwarz feat. dop, ruede hagelstein and others. their live-project is also irresistible, covering a spectrum between elegant deepness and unrestrained mayhem, without ever losing the sight of the peaktime fever curve.
>my life< featuring the vocals of meggy is a modern soulful number, with warm sounds and effective beats ... a very cool deep summer little anthem. on the remix front till von sein and tigerskin get in the studio to produce a strong house reinterpretation, keeping the original elements and adding a fierce bass line! kingston based menik proves to be a name to watch, exploring different worlds, and delivering something fresh and forward thinking!

inspired by artists such as mr g, baby ford, ricardo villalobos, derrick carter & rhythm & sound, anthea has created a sound somewhere lodged between house and techno, that is deep, warm and bassline fueled.
and if the original was note dope enough this package comes complete with two heavy weight remixes from two in demand high flyers: dan ghenacia & subb-an.

very good to see that cuatro records is back on vinyl. the artist duo javier orduna and inigo oruezabal (also released on resopal, pong musiq, regular etc) show the two pearls of their unique style, classy deep techno. the atmosphere of the track pray 4 the value is very visionary and deep, as where the rhythm of the track dolls of mud is more repetitive with a catchy groove. definitely, a release that can be played by professionals who understand the dance floor.

its impossible to sum up a career of dj sneak in few words, so well try with just couple of terms that might serve as a brief introduction to the world of the one of the scenes most vibrant djs and producers: in 1992 dj sneak began recording music. he released some of house music defining tracks on defiant, henry street music, relief, cajual, 83 west, downtown 161, strictly rhythm, classic (...) to name a few. 20 years later he is still one of hardest working producers around, one of the most in demand djs, and as always a full time house gangster. this summer he is responsible for a hard-hitting 4 track – ep which will be his debut on desolat. enjoy!

this release is total fire, it embodiies the feelings of the current dancefloor climate, and takes you back to the days of early house at the same time. deep hypnotic tones, musically & rhythmically. already a hit at inner rhythm. its an honour to release an isoul8 track, and especially one with such a powerfull meaning, its time for >change< - play it loud, say it proud!

we are very exited to present two tracks that our danish resident artist mathias mesteno has send us. mathias has been part of the upon you family since day one. he occaisionally also released his classic and still very individual formed house tracks on freerange and tic tac toe records. if you count his collaboration with our uy boss marco resmann, then here comes his fifth release on upon you! the boulevard confessions ep comprehends two tracks. on a1 he is cooking in kekes kitchen an outrageous whorled open air slammer, which cant wait to be initiated on the beaches around the world. the b side- the concrete boheme seems more calm but finds its use and purpose as a deep-house track in the forests of modern styles. like always mathias suddenly rolls up the beat and is sure to surprise the consumer with unlikely rhythm variations. uy 062 in the house!

dark funk for dirty minds! three new and raw box tracks by paul du lac (bio rhythm), who seems to be pushing his minimalistic jackin sound palette even further. we have the fierce and autistic-tantristic dirtyness of tantra master, the dance mania flavoured funk of childs play, and the deep strings of the bassline-driven spaces below, a classic chicago-inspired piece of work that seems to come from deep within.punchy and excellent dj tools.lo-fidelity, hi-energy.

dubbed a structural prodigy by mixmag, south londons joe syntax is back with >modus bass fun<, offering the very best in dancefloor d+b with buckets of bassline bounce.
joe syntax impressed with his med school debut last year, both >signal drop< and >sightlines< were received with rapturous praise from mary anne hobbs (xfm), mistajam (bbc radio 1), marcus intalex, brookes brothers, tc, dj hype and many others. this was followed up by >red rhythm<, an uncompromising collaboration with lung and eleven8, which was released on med schools >blood pressure< compilation earlier this year. joes new ep takes his production to the next level, so prepare to adopt your bassface as we get syntactical.

back and cooking up more funk and flavor with his second album for rekids, mr g proves hes still the king of rhythm with state of flux. packing more history than most of the top current producers put together, mr g has been fine-tuning his breed of music for two decades. described by the man himself as its all about a bassline, his music takes the formula of a ballad and the movement of reggae.

rhythm music and dance is one of the only common pastimes of all humankind around the globe for all of time as we know it. it is one of the only common ceremonies to be used by all different beliefs and cultures. even now some of the most unaffected tribes in the most remote areas of the globe use rhythm and dance for recreation and for the most important ceremonies. one could even say music and rhythm is the key to reaching the subconsciousness. let i-land beats rhythm and music take you on a journey and remove all the barriers in your mind and bring peace and love to all of mankind and we can all dance together as one.

check this out - before going on holiday here it comes! for the most sophisticate clubbers, a new pearl signed wwr, the current most ambiguous label! lazy but not dead, when the duo altarboy moves its ass theres no crap to cut. the synth programmings on this 12 inch is pure analogical sound. the lows on the two tracks draw the rhythm with an able mix of roland, korg e moogs timbre. the rest comes around and sounds great. the detune on the second part of lazy ass is for real experts. go rejoin yourself with the well done house.

there must be something in the water of the canary island seas. something that turns quiet kids into tasteful buttoned-up hooligan experts in house music. >luxemburgo< is the huge vicario musique choon everyone was waiting for. a groovy sure shot which combines commanding ferocity and a delicate class in a way reminiscent of michael j collins early work, but also hints at alex & isaacs passion for house and mysterious funky vocals- almost ambient melodies a la lone, carried by a strong rhythm built on noble drums, unraveling the most >hands in the air< breakdown since the invention of putting your hands in the air.

a new 1track! produced by john daly and its one of the best tracks we know from his hands! a beautiful melodic track rooted in the best chi-town traditions sophisticated with dalys modern production skills.

vinyl only! deep spaced-out dub grooves by rhauder feat. paul st. hilaire (rhythm & sound / burial)

first up is tabou for the people by sofrito specials featuring l barrabas which twitch edited for his dj sets a couple of years back. the lovely people at sofrito kindly gave permission for it to be included on this release. its a relentlessly driving slab of 4/4 afro funk with horn explosions. next up is the 10th and final track in twitchs cumbia series. the first 8 were released on japans lets get lost label and the missing number 9 is being saved for a future release. colombias cumbia was born out of african influences. this track is based around a sample from colombian cumbia legend andres landero and is an attempt to fuse traditional cumbia sounds with up to date production styles. the end result is a slow motion hypnotic cumbia retaining the haunting melancholia inherent in the original sample. leading the aa side, twitch passed a wild highlife song by ghanas atakoru manu to glasgows super talented auntie flo (whose highly recommended future rhythm machine album recently saw a release) to play around with. auntie flo cut it up and added additional drums and bass to come up with this euphoric modern highlife groover

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

and so the final piece of the drums of death waves trilogy eps snaps into place, dod caps his latest run of releases with 4 tracks of varied, taut, emboldened dance floor rhythms.
code for free mp3 download of this release included.
receiving huge support in the clubs and on the radio from across the electronic music spectrum as sinden, skream, tiga, laurent garnier and claude vonstroke continue to reach for the waves.

vladislav delays ep >espoo< features two new conceptual, rhythm-intense tracks. whereas the groove of the opener >olari< derives from a sound loop which is manipulated by filters and echoes and finally brings forth the intensifying beat, the reverse is done with >kolari< on the b-side. starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent vacation-like melody, close to terry rileys minimalistic concepts. both tracks share a linear increase in density, and because of their break with the common four-four time, they create a certain folkloric atmosphere. like with >vantaa<, the experienced music producer vladislav delay continues his search for dance-floor compatible, yet unique and fresh music.

big with prins thomas, radio slave !!locodice, cosmo vitelli, chrisduckenfield, cousin cole (wurst), felixdickinson, the project club, runelindbaek, red rackem, eva pacifico,..the balearic gabba sound system is a non-sense dream team composed by peedoo, everest parisi, enzo elia, ethe- hot, bjorn torske, gallo and some other geezers with a common love for sonically weird, feel good, bona fide recordings with a twist

are you deep in tha groove? amazing bouncing and groovin 4 tracker. after the successful volume 1 eyepatch is back with an ass shacking and rhythm hunting vinyl.

two essential techno players. the bek audio imprint hits double figures on this release, showcasing label-boss gary beck while also welcoming the sounds of mark reeve. mark reeve has made appearances on labels like soma, cocoon & traum and is an artist that gary has been supporting in many of his recent dj sets. gary beck sets the pace with >ars poetica<, the rugged opening track on this release. rasping off-beat bass and unnerving vocal samples join toughened drums and percussion to create a full-bodied fix. on the flip, mark reeve makes his first appearance on bek audio with his >fabula< track. a clean, smooth and grooving lesson in restrained and delicate production, fabula utilises icy cold atmospheres with warm and unwavering rhythm.

the moritz von oswald trio operates at the bleeding edges where musical lineages collide. feeling for the shared heartbeat that pulses through dub, techno and jazz, it seeks out points of contact before exploding them outward into hypnotic explorations of rhythm, texture and tone. after two previous studio albums and one live album through honest jons, the trio - moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo) - returns with fetch, their most fully-realized voyage yet into these in-between worlds.

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

coming up on claap we welcome a new name on the label.bodj is an upcoming producer from athens (gr).a fresh face in the scene, bodj has already had a couple of releases under his belt and caused some serious heat with his blisters ep back in 2010!every day is an easy and very classy house cut. quite emotive with flowing rhythm patterns,it is an ode to every day lovin!on the remix duties,these days afficionado and man of the moment argy takes the track into a sweatier territory with his nyc dub mix.while, the love mix explores a more romantic side of the original track.label head gummihz rounds up the package with a bubbly night fever mix.a filtered disco house take,reminiscent of french house in the late 90s.top tip!

just be, formerly known as bushwacka! drops second base on get physical this month. a collection of percussion heavy soundscapes to entertain your thoughts as the night turns to day. hold on, wait a minute is a heavy track for heavy dance sessions in the late night dark places we love to frequent. just be provides the perfect sound to company us on our journey into the vibe as it opens itself and displays its mechanical insides. an edgy percussive rhythm dominates second base, the second track of the ep, in its opening moments leading us deep into a forest of sound. theyre not playing games here, this is the deep night. touch me is a percussive wonder from rainsticks to bongos an organic feeling floats throughout. the bassline pushes on unwaivering and determined to move you to your feet in any situation.

original senegalese mbalax music produced by mark ernestus, incl. instrumental versions.

brill smoothin / soulful deep / disco house

following the war cry of their fi rst single >speeddance<,reptile youth return with another sublime 7inch for hfn music.the second single taken from their upcoming album >black swan born white< sees the youth expand their sound towards a grandiose post-punk pop. already a live favourite at their increasingly intense gigs, mads damsgaard kristiansen vocals soar above the funk-driven robo-rhythm, while an instantly addictive melody references their newwave roots.on the b side, londons futuristic psychedelic no-wavers s.c.u.m provide a remix that drenches the vocals in waves of reverb and suspense, before the track explodes into a churning power riff.

producer, dj and post-production engineer stepan chernov (aka kammerton) can safely be named a musical multitalent. stepan has pianist and kapellmeister degrees and already collaborated with numerous live bands and projects. his serpentine ep is a fresh breath of detroit influenced house with spacious dub synthlines and mesmerizing groove. the title tune >serpentine< is a slow burner and sets the tone for the record with dreamy synth progressions, discreetly jazzy keys, squelched chords and solid 4/4 rhythm. while >mistress < is an intuitively constructed dub-house killer, the kind of ever-morphing detroit stabs makes this ep irresistible. >winergy< concludes the serpentine journey from moscow to detroit and traps you in the subtly intricate and hypnotic groove of that new wave of russian deep

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

new release by brommage dub on a fresh new label created by jean-louis huhta. brommage dub is one of swedens most creative exports. consisting of two veteran producers, jesper dahlbäck and jean-louis huhta, brommage dub journeys deep into uncharted dubbed out techno territory that is both powerful and meditative.

moan is ready to rock the floor with this amazing ep signed with the duo larry peters and miguel lobo.original tracks with nice and melodic perc groove and amazing vocal shot, great to be played in every moment! re-up duo on their reshape keep the funky mood of the voice adding a concrete and rolling rhythm, a dancefloor killer tune!the second remix is by the famous jordan peak, with a solid, locked in groove and plenty of well-defined, silvery tech house percussions.

j.a.m. traxx is a vinyl only label inspired by synth and analog machines, spacey- hypnotic atmospheres and everything is showing a genuine passion for complex rhythm and going against! limited to 250 copies.

joker has been riding a rocket propelled trajectory with an exponential rise in popularity since he first caught the attention of underground djs and bloggers alike, back in 2007. signed to major player 4ad for his debut lp >the vision<, dropping late last year joker has won the hearts and minds of both respected underground players and pop-loving youth alike. here he returns to his home imprint for a rare excursion away from 4ad with the monstrous, infectious fresh cut rhythm that is our lead track >skitta<. you know it must be a big lead if when you flip for the aa side and find the almighty newham generals featuring in secondary place! >i think you should know< sees footsie and d double roll out a shoulder popping beat in fine style while fans of all things instrumental can also enjoy an extended instrumental version of the same track. huge release all round.

played and supported by norman nodge, samuli kemppi, inigo kennedy, samuel l session, colin dale, dvs1, developer, alan fitzpatrick, cassegrain, markus suckut, phil kieran, max_m and more. darkcell shows the new release on vinyl, just the third for his own label. his style is clearly defined. one track signed by the labels owner, and others two tracks signed myk derill (reform, knotweed, etc). darkcell transmitted in its track an atmosphere of modern techno. a slow techno rhythm, repetitive with something of psychedelic. a sort of brainwashing that will lead to total body hypnosis. the two tracks by myk derill are the same style. the first track (apply) is definitely very rough with a syncopated rhythm . the second (contemporary) is much more in the direction of dub-techno. only high quality in the fluxus records vinyl.

searle comes back to mowar for his second release. while his mind transfer ep was a darker workout, his new she moves ep show a deeper dubbed side of his productions. the title track perfectly combines the dub aesthetics and simple basic channel effectiveness with sweet infatuating stabs and scapes. this ones for the deeper and more sensual moments on the dancefloor. melancholy goes even deeper emotionally layering a steady slightly jacking rhythm with edgy melancholic atmospherics and melodies. on the flipside russ gabriel, who remixed on the very first mowar release back in 2008, reworks she moves in a stripped hypnotic mover, slightly more thumping for those sexy hips. last track tunneling is what searle would call a 5 am groover for the die-hards who want to be embraced by the sensuality of deep emotional techno.

for the labels 14th release, memento welcomes the collaboration of italys finest house enthusiasts pastaboys, who bring their love of dance musics black roots and afro-american soul sounds, combined with an exquisite european-influenced sense of rhythm and melodies.>tresca< evolves around a sweet italo-disco bass that sends the listener back to the 70s: a soundtrack to a sleazy underground movie, with nightmare-ish synth chords in the background.strong claps and percussion build the tension up to a donna summer-esque break, leading the track to an anthemic climax ready to shake the asses of all the party people out there.

brilliant 4 track remix vinyl sampler with hot remixes from oskar offermann, moomin, christopher rau, lowtec...

merc 009 sees another mark e 2 tracker with snow walker & environment. snow walker combines an uptempo relentless percussive hard nosed rolling drum rhythm, running parallel with shimmering disco lights, synth blobs and a messed up yeti vocal nag, nestling comfortably somewhere between the black country and the black forest. environment however pushes itself all deepness and glory with electronic female vox, looping sub bass boogie and a slow sasquatch techno sensibility.

(ltd 500cps complete with deluxe packaging and 180g vinyl) two long years after their debut cult classic (illuminations / dont eat the apricots), latin drumming and modular synthesis.hungry ghost return.

patrice scott kicks off the 2012 release schedule in proper fashion with the orbital bliss ep - keeping the sistrum sound true and setting the tone for another year of quality output. we are treated to cool, smooth, futuristic cuts that pay tribute to the wonders of the cosmos. as always, the sounds are carefully crafted and slowly evolving, treating the listener to a refined palette of rhythm and melody suitable for the dancefloor and the living room, alike.

for the next installment in the dc ltd series, drumcode present a three-track ep from the spanish pairing of psyk and alberto pascual - both increasingly familiar names on the circuit thanks to their work for plus 8, figure, analytictrail and sleaze. ascent leads off the ep with what is sure to prove to be a popular combination of upbeat old-school keys and resolute marching beats. descent switches things up, treading heavily through a melancholic soundscape of mechanical stabs and harmonic pads. finally, permanent dishes up a solid rhythm track interspersed with distinct rising tones phasing in and out of the mix.

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

parisian producer rocked downtempo beats for yellow productions, dj-kicks in the late 90s. 2 tracks from his latest lp lean more to the latin side + remixes from ezequiel lodeiro (aka dr. stereo), italian producer suonho, greenwood rhythm coalition.

coming not so far from the alps, opuswerk is a new talented artist in love with hardware equipment and already got some strong producing skills. the charismatic tall guy is a main actor in the renewal of the techno scene in geneva,throwing parties every week-end hes got a residency at milk club and will also open up for carl craig at electron festival yep opuswerk knows how to move a crowd. the a-side features futurewerk,the first of a collaboration with london based techno outfit fundamental interaction, is a raw dubby influenced track where chords and rhythm clearly aim for the dance-floor at 3am,or later depending on your countries going out habits. on the b-side,th13-13 is a flashback to the mid-90s,a squirting bassline with bleeps and blops,it plays subtly with a syncopated rhythm section and discrete chords. pure hardware jam!comes in 180 grams of black wax,carefully mastered at d&m,berlin. full printed sleeve designed by frederic laborde.

south london producer darren cunninghams new album, r.i.p, underlines actresss reputation as one of the most eloquent voices to emerge from the sub-bass nexus of london dance music. his intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as drexciya, t++, aphex twin, autechre, burial and basic channel. absolutely essential release by one of the most exciting producers of the 21st century.

the next chapter in truesouls evolving story comes from marc antona. with discography highlights that include releases for mobilee, highgrade, micro-fibers and, most recently, his own dissonant label, antona is an already familiar name to followers of quality techhouse and the deeper, groovier side of techno. impressive career credentials that have been galvanized by marcs appearances for cadenza as part of their vagabundos tours. with such experience behind the ibiza-based producer, it comes as no surprise that this ep brings the kind of sunshine sensuality to truesoul that has come to characterize the soundtrack of dance musics mecca with the sultry percussion and understated funk of >gloves off< or the perpetual bass groove and twitching rhythm of >darwins corner stone<.

following releases on mathematics, boxfade and vuzkid, chris moss acid returns with an extraterrestrial four tracker on holland’s 030303. the a-side features bay of cadiz, an eleven minute cut built around an hypnotic bass line and a simple hitchcockian synth that would do well in a horror movie featuring zombies with smiley faces. on the flip, lynchette matravers is an energetic, crystal clear banger reminding of early 808 state. the big freeze sounds a lot warmer than the title suggests and should please anyone into afx’s later output. the rhythm, the fourth and last track on the ep, continues on that vibe with beautiful synth work. chris moss may look like a nutter, this sure is serious sonic pleasure